49 best images about Books on Pinterest De stijl, Flora and Alvar aalto
Arman, Le Plein, Galerie Iris Clert, 1960. The invitations. Yves Klein, Récit du vernissage de l'exposition "Epoque pneumatique, la sensibilité picturale immatérielle à l'état matière première" à la Galerie Iris Clert, 28 avril 1958
Iris CLERT Dictionnaire créatrices
1971, Galerie Iris Clert, 28 Faubourg Saint Honoré, Paris 8 e. 5 mai Abstrels, sculptures électroniques, Jacques Potin; 1972, Galerie Iris Clert, 28 Faubourg Saint Honoré, Paris 8 e, puis 3, rue Duphot, Paris 1 er. 15 mai Acquisition du Stradart, Le Poids Lourd Culturel. Défilé de la « Nuit du Faubourg Saint-Honoré »
Iris Clert, Jean Tinguely et Marcel Duchamp avec les métamatics de
Galerie Iris Clert, Paris, France "In order to attain this indefinable of Delacroix that is the essence of painting, I became a specialist of space, which is my ultimate way of treating color. It is no longer a question of seeing color, but rather of perceiving it.
Exposiciones La spécialisation de la sensibilité à l'état de matière
Washington, DC Yves Klein Hirshhorn Museum and Sculpture Garden By Nuit Banai IN 1958, YVES KLEIN scandalized the Parisian public by presenting nothing but a whitewashed room with a lone, empty vitrine at Galerie Iris Clert. The exhibition, known as " Le Vide " (The Void), was marked by the momentousness of its opening.
Two Exhibitions at Iris Clert Gallery, Paris Yves Klein’s Le Vide… SOCKS
La spécialisation de la sensibilité à l'état matière première en sensibilité picturale stabilisée or better known as Le vide at Galerie Iris Clert, Paris, 28 April - 12 May 1958. Courtesy Yves Klein, ADAGP, Paris
Ressources Yves Klein, Iris Clert et Rotraut au vernissage de l
The prominent Irish critic, Brian O'Doherty elevated the mythology of the pristine white exhibition space into public discourse in the 1970s, drawing attention to the white cube convention for gallery spaces, not as a blank or neutral container, but as a historical construct.
Iris Clert Alchetron, The Free Social Encyclopedia
Iris Clert s'essaie à la galerie associative du Haut Pavé, en exposant sa sélection d'artistes sur un créneau réduit, de 17 h à minuit. Dans une époque dominée par la Nouvelle École de Paris, qui semble nier la vitalité du marché de l'art new-yorkais, peu de possibilités sont offertes aux expériences audacieuses de jeunes.
Two Exhibitions at Iris Clert Gallery, Paris Yves Klein’s Le Vide… SOCKS
It was open from 1955 to 1976 and during that time housed artworks from many successful and influential artists of the time, including Yves Klein, Jean Tinguely, Arman, Takis and René Laubies.was located on 3 rue des Beaux-Arts in Paris, France.
Galerie Iris Clert, 1971 Archiwum Eustachego Kossakowskiego Muzeum
The artist with Iris Clert at the opening of his exhibition at Galerie Iris Clert, in Paris, June 1963. In accepting to have a show at her gallery he asked Clert, "How could it be anything but black?
an old black and white photo of a store front with cars parked in front
Iris Clert ( Greek: Ίρις Αθανασιάδη; Iris Athanasiadi; 1917 - 1986) [1] was a Greek-born art gallery owner and curator. She owned the Iris Clert Gallery in Paris from 1955 to 1971. During its tenure, her gallery became an avant-garde hotspot in the international art scene, particularly to Yves Klein, Jean Tinguely and Arman .
Iris Clert
Two years after the so-called exhibit "du vide" at the Galerie Iris Clert, Yves Klein did in fact take a leap, experimenting with the immaterial qualities of the void.
Photographies Iris Clert à une course de cafards Yves Klein
VARIA. Clément Dirié. La galerie Iris Clert, 1956-1961 : se lancer et s'affirmer dans le monde de l'art «L'histoire de l'art moderne est inséparable de celle de quelques galeries pionnières qui, en leur temps, ont su réunir les œuvres et les artistes qui devaient marquer leur époque.
12 De galerías. El encantador 'je ne sais quoi' de Iris Clert Abre
Despite the relationship between Klein and Clert was officially over, the artist appreciated Arman's show and declared: "After my own emptiness comes Arman's fullness. The universal memory of art was lacking his conclusive mummification of quantification." Arman, Le Plein, Galerie Iris Clert, 1960. View of the exhibition.
Iris Clert
Robert Rauschenberg, "Ritratto di Iris Clert", 1960. Aerostatic sculpture in front of the Galerie Iris Clert during the exhibition "Propositions monochrime", Paris, 10-25 May 1957 ©Yves.
Exposiciones Basreliefs dans une forêt d'éponges Yves Klein
Details Yves Klein (1928-1962) Untitled Blue Monochrome (IKB 266) dry pigment and synthetic resin on gauze mounted on panel 4½ x 6¾in. (11 x 17cm.) Executed in 1957 Provenance Galerie Iris Clert, Paris. Collection Helene Lassaigne, Paris. Galerie 1900-2000, Paris. Galerie Gmurzynska, Zurich. Acquired from the above by the present owner. Exhibited
Salle 34 Iris Clert Galeries du 20ème on Acast
1 of 6 Summary of Arman Arman is most associated with the Nouveau Réalisme (New Realism) movement that emerged in 1960, and which represented France's response to the trend of Pop art that was sweeping Europe and the United States.
